孔雀绿釉是一种瓷器釉色名，亦称“法翠釉”、“翡翠釉”、“吉翠釉” 。一种以铜为着色剂的低温色釉，起源于宋、元民窑，最早见于宋磁州窑。明成化时，景德镇窑烧制成熟。
【象耳瓶】双耳瓶之一。流行于元明清时期，以元至正十一年象耳瓶最为著名。盘口，长颈，瘦腹，白足，颈部附象首双耳。从口沿至底足绘缠枝菊、蕉叶、飞风、缠枝莲、海水云龙、波涛、缠枝牡丹及杂宝变形莲瓣纹八层，腹部主题纹饰为海水云龙，颈部题字：“信州路玉山县顺城乡德教里荆圹社，奉圣弟子张文进喜舍香炉、花瓶一付，祈保合家清吉，子女平安、至正十一年四月良辰谨记。星源祖殿胡净一元帅打供。”青花浓艳，釉色透明。
藏品介绍
中文名称：孔雀绿釉象耳尊
英文名称：Zhao Meng fu qingming festival
规格：一件
类别：瓷器
品相：美品
底款六字瘦金体大清康熙年制，书写精美，十分规整，位置居中，字迹出现晕散，吃进胎骨，让人一看就具有年代感。圈足是罕见的糯米胎：最早称之为“糯米汁胎”是形象描述胎体的质感，如同糯米经水磨后流出的米浆一般细腻、光滑。后被称为糯米胎，此胎极其细腻，是瓷石经过多次提炼极其细腻后才有的极品瓷胎，这种瓷胎轻扣声音清脆悦耳，胎质紧密，较一般瓷器硬度要高，抗热涨冷缩能力强，很多瓷器经历上百年时间就会自然的干裂，我们成为阴裂现象，与窑裂不同，是后期形成的，而糯米胎瓷器就不会出现这种问题，由于瓷土极其细腻，也不会出现棕眼的现象，是美瓷的重要要素。
其瓶口有如凤尾尊一般的喇叭口，凤尾尊表现的凤凰的尾巴，这件孔雀绿釉，就像是孔雀开屏一般十分美丽，表面在自然光线下出现漫反射，没有贼光，颈部上下炫纹，左右象耳，器型精美大器，为难得的馆藏级瓷器。
亦 称“法翠釉”起源于宋、元民窑最早见于宋磁州窑
孔雀绿釉，烧制方法有二：（一）以素胎直接挂釉烧制，釉面易开片剥落；（二）在白釉器上罩釉烧成，釉面剥落者少。孔雀绿釉色有深浅两种：深者色葱绿，釉色鲜明艳丽；浅者主要在彩釉中配合使用，如茄皮紫等釉器，常加上孔雀绿。若将孔雀绿敷盖于青花上，则青花色调变黑。
这件孔雀绿釉象耳尊为康熙官窑器，是孔雀釉中的稀有器型，存世无几，其价值以及无法估量，可以说是千金易得一宝难求，孔雀绿釉象耳尊是瓷器的顶端，能够收藏此官窑的必定是在金字塔顶端的高端藏家，家无瓷器而不雅，瓷无孔雀绿釉而不贵，官窑是只有富贵之人方能涉足的收藏领域，是瓷器收藏中的劳斯莱斯。
赵孟頫（1254年10月20日 －1322年7月30日，字子昂，汉族，号松雪道人，又号水晶宫道人（一说水精宫道人 ）、鸥波，中年曾署孟俯，吴兴（今浙江省湖州市）人，原籍婺州兰溪 。南宋晚期至元朝初期官员、书法家、画家、诗人，宋太祖赵匡胤十一世孙、秦王赵德芳嫡派子孙。
至元二十三年（1286年），赵孟頫被行台侍御史程钜夫举荐，赶赴北京，受元世祖、武宗、仁宗、英宗四朝礼敬。历任集贤直学士、济南路总管府事、江浙等处儒学提举、翰林侍读学士等职，累官翰林学士承旨、荣禄大夫。晚年逐渐隐退，延祐六年（1319年）借病乞归。至治二年（1322年），赵孟頫逝世，年六十九。获赠江浙中书省平章政事、魏国公，谥号“文敏”，故称“赵文敏”。著有《松雪斋文集》等。
赵孟頫博学多才，能诗善文，通经济之学，工书法，精绘艺，擅金石，通律吕，解鉴赏，尤其以书法和绘画的成就最高。在绘画上，他开创元代新画风，被称为“元人冠冕”；赵孟頫亦善篆、隶、真、行、草书，尤以楷、行书著称于世。其书风遒媚、秀逸，结体严整、笔法圆熟，创“赵体”书，与欧阳询、颜真卿、柳公权并称“楷书四大家”。
藏品介绍
中文名称：赵孟頫清明上河图
英文名称：Zhao Meng fu qingming festival
规格：一幅
类别：字画
品相：美品
《清明上河图》2017年藏品收藏趋势一再火热，今年更是达到风口浪尖。价值更是成百倍增长。中华第一神品《清明上河图》纯银珍藏版《清明上河图》是举世闻名的中国古代绘画长卷登峰造极之作，在世界艺术史上都是罕见的杰作。
为了满足众多藏家对《清明上河图》的热爱，也为了将“中华第一神品”更好地展现在世人面前，邀请国内顶级设计师、专业工艺美术师精心设计雕刻、按照严格的工艺流程铸造成纯银章珍藏版的《清明上河图》。
《清明上河图》描绘了北宋时期都城东京（今河南开封）的状况，主要是汴京以及汴河两岸的自然风光和繁荣景象。
清明上河是当时的民间风俗，像今天的节日*会集**，人们藉以参加商贸活动。全图大致分为汴京郊外*光春**、汴河场景、城内街市三部分。
上图文字说明原作者为张择端，赵孟頫属于临摹。
明人王世贞曾说：“文人画起自东坡，至松雪敞开大门。”这句话基本上客观地道出了赵孟頫在中国绘画史上的地位。无论是研究中国绘画史，还是研究中国文人画史，赵孟頫都是一个不可绕开的关键人物。
如果说唐宋绘画的意趣在于以文学化造境，那么，赵孟頫在其间起到了桥梁作用。如果说元以前的文人画运动主要表现为舆论上的准备，元以后的文人画运动以其成功的实践逐步取代正规画而演为画坛的主流，那么，引发这种变化的巨擘仍是赵孟頫。
汴河是北宋时期，国家重要的漕运交通枢纽，商业交通要道，从画面上可以看到人口稠密，商船云集，人们有的在茶馆休息，有的在看相算命，有的在饭铺进餐。还有“王家纸马店”，是卖扫墓祭品的，河里船只往来，首尾相接，或纤夫牵拉，或船夫摇橹，有的满载货物，逆流而上，有的靠岸停泊，正紧张地卸货。横跨汴河上的是一座规模宏大的木质拱桥，它结构精巧，形式优美。宛如飞虹，故名虹桥。有一只大船正待过桥。船夫们有用竹竿撑的；有用长竿钩住桥梁的；有用麻绳挽住船的；还有几人忙着放下桅杆，以便船只通过。邻船的人也在指指点点地像在大声吆喝着什么。船里船外都在为此船过桥而忙碌着。桥上的人，伸头探脑地在为过船的紧张情景捏了一把汗。这里是名闻遐迩的虹桥码头区，桥头布遍刀剪摊、饮食摊和各种杂货摊，两位摊主正争相招呼一位过客来看自己的货物。这里名副其实是一个水陆交通的会合点，可称为画面的高潮片段。
工笔画体现的庭楼阁宇，十分的严谨，一副著世名作不是一天两天就能完成，往往一副作品就要花费数十天的时间。
这幅赵孟頫款的清明上河图表现的是清明时节的繁华景象，是在绢本上作画，而且是用的工笔画，所以墨迹痕迹并不明显，由于绢本上作画，墨迹不会下沉有浮与表面之感，对于不懂行的人来说就像是印刷品，往往只有这种绢本易于保存，流程至今依旧是品相完美，清明上河图被我国列为国宝三绝之一，具有极高的历史研究价值以及经济收藏价值。
英文翻译：Malachite green glaze is a porcelain glaze color name, also known as "Fa Cui glaze", "jade glaze", "Jicui glaze". A low temperature colored glaze with copper as colorant originated from Song and Yuan Ming kilns and was first seen in Song Cizhou kilns. When the Ming Dynasty, Jingdezhen kiln firing mature.
One of two ear jars. Popular in the Yuan, Ming and Qing dynasties, the most famous elephant ear bottle from yuan to Zheng 11 years. Dish mouth, long neck, thin abdomen, white feet, neck with two ears. Chrysanthemum from mouth along the foot to the bottom picture around branches, in December, wind, wind branch lotus, yunlong, sea waves, wind branch peony and miscellaneous treasure deformation lotus-shaped lines 8 floors, abdominal theme grain for seawater yunlong, neck inscription: "yushan county shinshu road along the urban and rural areas in the Zoroastrian jing table club, in the disciple Zhang Wenjin incense burner, vases, giving a pay, qi family qing ji bao, children of peace, to the wonderful time is 11 April in mind. Admiral Hu Jingyi of the Ancestral hall of Xingyuan made confession." The blue and white is rich and colorful, and the glaze is transparent.
The collection is introduced
Chinese name: Malachite green glaze elephant ear
English name: Zhao Meng Fu Qingming Festival
Specification: one piece
Category: Porcelain
Appearance: Beautiful
Bottom six words of thin gold body qing Kangxi system, written beautifully, very neat, the location in the middle, the handwriting appears dizzy scattered, eat into the fetal bone, let a person have a sense of age. The circular foot is a rare glutinous rice embryo: it was originally called "glutinous rice juice fetus" to describe the texture of the fetus, which is as delicate and smooth as the rice milk that flows out after being ground by water. Called glutinous rice, after the child is very exquisite, is China stone some acura after many refined extremely delicate porcelain body, the porcelain body light sweet crisp, TaiZhi closely, more like porcelain higher hardness, heat from the cold resistance is strong, a lot of China experienced hundreds of years to naturally weather-shack, we become Yin crack phenomenon, unlike kiln crack, late is formed, and glutinous rice porcelain will not appear this kind of problem, because China clay is extremely delicate, also won't appear the phenomenon of brown eyes, is one of the important elements of the porcelain.
The mouth of the bottle is like the trumpet mouth of phoenixes and the tail of phoenixes. The peacock green glaze is as beautiful as the peacock spreading its tail. The surface is diffused under natural light without thief light.
Also known as "Fa Cui glaze" originated in the Song dynasty, yuan min kiln was first seen in the Song Dynasty Cizhou kiln
Malachite green glaze, firing methods have two :(1) to the plain embryo directly hanging glaze firing, glaze easy to open pieces spalling; (2) in the white glaze glaze over the glaze fired, the glaze peeling less. There are two kinds of malachite glaze colors: the dark green, bright and gorgeous glaze; Shallow person basically is used in coloured glaze cooperate, wait for glaze such as eggplant skin violet, often add malachite green. If will malachite green apply to cover on blue and white, blue and white tonal become black.
The malachite green glaze as ear as kangxi imperial wares, is rare in the peacock enamel ware, only a little, and incalculable, and its value can be said to be the daughter comes easily to a treasure is hard to find, malachite green glaze as the tip of the ear is porcelain, is able to collect the kiln must be at the top of the pyramid of the high-end collectors, home porcelain and indecent, no malachite green porcelain glaze and not expensive, kiln is only truly in the collection of the riches and honor, is porcelain collection of Rolls-Royce.
Zhao Meng ð « ¯ (October 20, 1254-1322, July 30, word son, han nationality, the loose ski runs, and the crystal palace theater (say water palace theater), gulls, middle-aged have agency prone, meng Wu Xing (now, huzhou city, zhejiang province), originally from WuZhou lanxi From the late Southern Song to the early Yuan Dynasty, zhao Kuangyin, a calligrapher, painter and poet, was the 11th descendant of Taizu Zhao Kuangyin and the direct descendant of Zhao Defang, the king of Qin.
To yuan twenty-three years (1286 years), Zhao Meng ð « ¯ line by Taiwan shi empire cheng major recommendations, to Beijing, by the back, since, ren-zong, four in British ancestors He served successively as ji Xian Zhi Bachelor, Ji 'nan Road head office, Jiangsu and Zhejiang department of Confucianism promotion, hanlin acerbic bachelor, and so on. In his later years, he retired gradually, and took six years (1319) to beg back from illness. To put two years (1322 years), Zhao Meng ð « ¯, died six years He was awarded the posthumous title of Pingzhang Governor of Jiangsu and Zhejiang Province, duke of Wei and posthumous title of "Wen Min", hence "Zhao Wenmin". The author of "Songxue Zhai anthology" and so on.
Can Zhao Meng ð « ¯ well-read, poetry shanwen, through the knowledge of economic, calligraphy, fine HuiYi, good stone, temperament, appreciation, especially with the achievement of the calligraphy and painting In painting, he created a new style of painting in the Yuan Dynasty, known as the "Crown of The Yuan People"; Zhao Meng ð « ¯ also good, nationalities, true, the line and cursive, especially in the script and running script Its calligraphy wind kui Mei, Xiuyi, the conclusion of the neat, mature writing, created the "Zhao style", and Ouyang Xun, Yan Zhenqing, Liu Gongquan called "kai script four people".
The collection is introduced
Chinese name: Zhao Meng ð « ¯ qingming festival
English name: Zhao Meng Fu Qingming Festival
Specification: one piece
Category: Calligraphy and Painting
Appearance: Beautiful
The collection trend of 2017 has been hot again and again, and this year has reached the forefront. The value has increased a hundredfold. The Pure silver Collector's edition of Riverside Scene at Qingming Festival is the culmination of a long scroll of ancient Chinese paintings, which is a rare masterpiece in the history of world art.
In order to satisfy the passion of many collectors for Riverside Scene at Qingming Festival, and to better show "The first magic product of China" to the world, top domestic designers and professional arts and crafts artists were invited to design and carve the riverside Scene at Qingming Festival carefully and cast it into the collector's edition of pure silver seal according to the strict technological process.
"Riverside Scene at Qingming Festival" depicts the situation of Tokyo (present-day Kaifeng, Henan Province), the capital city of the Northern Song Dynasty, and the natural scenery and prosperity of the bianjing and its Banks.
Qingming River is the folk customs, like today's festival assembly, people to participate in business activities. The map is divided into three parts: spring scene in the outskirts of Bianjing, scene of Bianhe River and market in the city.
Above caption author for later, Zhao Meng ð « ¯ belongs to
Ming Wang Shizhen once said: "The literati painting from dongpo, to open the door to snow pine." This sentence is basically objective representation of the Zhao Meng ð « ¯ in Chinese painting history Study of Chinese painting, and study of Chinese literati painting, Zhao Meng ð « ¯ is a not bypass the key
If tang and song dynasty painting of interest is in literary creation, so Zhao Meng ð « ¯ played the bridge in the meantime If the literati painting movement before the Yuan Dynasty was mainly reflected in the preparation of public opinions, and the literati painting movement after the Yuan Dynasty became the mainstream of the painting circle with its successful practice gradually replacing the formal painting, then the giant who caused this change was still Zhao Meng«
Bianhe River was an important transportation hub and commercial road in the Northern Song Dynasty. It can be seen from the picture that the population is dense and merchant ships gather together. Some people take a rest in the tea house, some read fortune-telling, and some have dinner in the restaurant. There is also the "Wangjia Paper Horse Shop", which sells sacrificial offerings to the tomb. Boats ply the river, touching each other end to end, or are pulled by boat tappers, or rowed by boatmen. Some are carrying loads upstream, while others are berthed at shore and are nervously unloading. Across the Bianhe River is a large wooden arch bridge with exquisite structure and graceful form. Like a flying rainbow, hence the name Hongqiao. There is a big ship waiting to cross the bridge. Boatmen with bamboo poles; To hook a bridge with a long rod; Holding the ship with a hemp rope; A few others were busy lowering the mast so that the ships could pass. The people on the neighboring boats were also pointing and Shouting something. Both inside and outside the boat were busy crossing the bridge for the boat. The people on the bridge were sweating nervously over the boat. Here is the famous Hongqiao Dockside area, where two vendors are vying for a passer-by to see their goods. This is a veritable confluence of land and water transport, which can be called the climax of the picture.
Fine brushwork reflects the courtyard pavilion, very rigorous, a masterpiece is not a day or two can be completed, often a piece of work will take tens of days of time.
The Zhao Meng ð « ¯ qingming scroll performance of the bustling scene is tomb-sweeping day, is on the silk scroll painting, but also with claborate-style painting, so the ink trace is not obvious, because on the silk scroll painting, ink will not sink has the feeling of floating and surface, like print for people who do not know, only the silk scroll is easy to save, the process to date is still quality perfect, clear painting was one of quiet as a national treasure in our country, the history of high research value and economy