中国墨 Chinese Ink
水墨，中国画的一种表现形式。指用水和墨所作之画。由墨色的焦，浓，重，淡，清产生丰富的变化，表现物象，有独到的艺术效果。水墨画被视为中国传统绘画，也是国画的代表。基本的水墨画，仅有水与墨，墨与白色，墨为主要原料加以清水的多少引为浓墨，淡墨，干墨，湿墨，焦墨等，画出不同浓淡层次。别有一番韵味称为‘墨韵’。
Water ink paint, an unique form of artistic expression in China, uses water and ink to create works. It's richness in variation such as char, thick, heavy, light touch, gives a spectacular impression on the theme of the work. Water ink represents Chinese traditional painting. It's basic form only contains water and ink, black and blank. Blended with a different quantity of water, ink turns into thick, light, dry,wet,char etc, and this ink-spectrum helps to show a varieties of spaces and feelings, as is called "the soul of ink
所有的作品图片，均由徐之腾2021年10月16日拍于重庆化龙桥
现代画家的古憶作品‘村庄’是一个有着时代特征的题材。三十多年来，城市的遥感图发生了巨大的变化。有些城市经历了大拆大建，过去生活的场景无处找寻。如今乡村面临凋敝，被遗弃的命运。曾经成长于山清水秀之中，如今生活在拥挤嘈杂的都市里的人们，对村庄，对童年有太多的回忆，乡愁思绪......
'Village' is a work by a modern painter with its theme reflecting modern time but its style full of ancient spirit.The city skyline altered completely in just 30 years. The traces of past disappeared in this tremendous rebuild movement. Countrysides are left deserted with only memories of childhood, melancholic to city dwellers living in modern bustling.
所有的作品图片，均由徐之腾2021年10月16日拍于重庆化龙桥
“闲来无事不从容，睡起东窗日已红“，古人是不像现代人那么忙的，故此慢慢地生活，细细地品尝，沉浸在自然的环境中，一种雅趣的突现，即兴挥笔，水墨洒洒于纸上......
' Stay at ease, nothing bothered, Wake up at sunrise, all goes so naturally! 'Ancient people was living a slow-paced life, therefore, they had time to enjoy and think in a natural surroundings, which became the very inspirations for their works, so intuitional and improvised ...
所有的作品图片，均由徐之腾2021年10月16日拍于重庆化龙桥
山峦层叠，鲜绿欲滴，溪流潺潺，彰显了古村特殊而又鲜明的历史和地域特色......
Overlaying peaks, glittering green and chattering flows reflects the uniqueness of this old village, its history and difference..
山，水，民，居交相辉映，相生相息，曾经的人们居住与生活的单纯性和舒适性。自然山水，依山而居，沿着溪边石板直通河边淡然，愉悦......
collines, flows, villages intertwined into a delightful fabric which reminds of the simpleness and comfort in living among natural setting, hills on the background, trickling spring down under, chatting friend over the bridge....
夏天茂叶贯满山谷，浓荫遮天，一片阴凉。冬天叶落枝露，冬日暖暖房舍形出，构成另一道风景......
In a hot summer day, blossom and green spread over the whole valley, however it's still shady and cool in the wood. In faltering cold winter, tree shows its bare branches, only the hut hints a warming touch that makes all different...
所有的作品图片，均由徐之腾2021年10月16日拍于重庆化龙桥
万物生长，有风，有水，有生命和生气。汇聚在村庄里的名人贤士和日益兴旺的制造业天人合一，代代相传......
All existence grows with blow, flow, vitality. Gathering brains and booming industries are blessed by providence from one generation to another...
江涛艺术简介 Jiangtao's biography
江涛，字古心。1956年，生，重庆市人。现为重庆书法家协会会员。其文墨家传，历经三代。祖父，江鹤笙，曾任四川成都蓉社书画研究会主任，与前注五老七贤交契颇深，于书画深有造诣。其养父，江友樵乃书画奇杰，才气横溢，个性卓然。江涛幼承家学，酷爱绘事，孜孜不倦，深得养父江友樵先生绘画三昧，其画作多次参加全国和各省市作品展，被国内及海外有识之士收藏，深受好评。
Jiangtao-nickname Guxin,
an affiliated member of Chongqing Calligraphist association,
was born in 1956 at Chongqing.
With his origin from a Painter/Calligraphist family (His grandfather Jiang Hesheng,
former chief of Sichuan Chengdu Rong society of painting and calligraphy,
closely connected with all major painters of those days,
was also excellent in painting art. His step-father Jiang youqiao,
a brilliant talent second to none in the painting circle ),
he was deeply influenced by this tradition and pursued the track of painting all-heartedly.
His style can be identified in his step-father Jiang youqiao's essence and is accepted widely among collectors home and abroad.
His works are often displayed at national and provincial shows.
红尘有你，流年的传奇感动了我，我许你一生的柔情，你回我一世的缠绵，心心相印，灵魂相惜——灵魂的家......
There is you in this world.
Year by year you have touched my heart.
What i give you is a life of gentle love.
And in return you give me your wholesome emotion and passion. Heart to heart, soul to soul
——A home for the soul
所有的作品图片，均由徐之腾2021年10月16日拍于重庆化龙桥
千寻丘壑作卧游
江涛兄，号古心，世居巴渝，擅绘事，笃于佛老之学。自祖父江公鹤笙诗礼兴家以来，多与名家巨擘相交游。时值抗战军兴，西南一隅成抗战大后方，举国艺文、宗教、教育、科技等名流宗师先后汇聚于此，亦时代求真、求变、求实大家辈出之岁。复以江公鹤笙一门风雅及时代、宗风际会融合一炉之时，如荣县赵香宋、乐至谢无量、番禺商衍鎏、乐山郭沫若乃至蜀中五老七贤靡不交契至厚。
而涛兄伯父友樵先生亦深受父辈拈提，年少即以诗、书、画、文、史等名于巴蜀，加之友樵先生天资卓荦，通会宋、元、明、清诸大家山水、花鸟、人物，曾先后得马一浮、商衍鎏、谢无量、齐白石、溥雪斋、叶恭绰等名宿奖掖。且*氏江**一门家富收藏,举凡三代古器、两汉砖铭断碣、魏晋残纸、隋唐宋碑铭刻石、宋明版雕先贤典籍乃至明清书画、瓷器等，靡不应有，惜大多毁于十年劫难中。是也，涛兄承此书香余脉，自少及壮浸淫其间，续三代家学于人文颓废之岁。曾见涛兄三十年前拟黄子久、倪云林、沈石田、髡残、石涛、四王等，简远有之、苍润有之、萧疏有之、荒寒有之、整肃有之。大率出入其间而能意态自适，各具生面，不囿于古法，极有时代面目；中岁以后，几绝意昔时所慕儒家学说、西方哲学等，而潜心佛老之学，弃诸虚名，味象澄怀，淡然世事，卧游于宋、元、明、清经典山水、花鸟画中，暇时则与三五同道或独自忘情于山水林泉之间，复以老米、王蒙、吴镇、沈石田、董香光等诸家为晨暮之修，师古人之迹，亦师古人之心；模自然之造化，状四时烟云之幻，亦发山川浑厚、峻拔、奇秀之魂。笔下千岩万壑、松涧流泉、乃至一草一木有一尘不染之境，知其技道不昧于心手。永健先生所谓“缘艺修道者”是也！其亦因潜心朴学、性宗，画理、画风亦为之一变：别自一种古淡醇和、清穆之气溢于笔墨之间，悠悠然生“我心素已闲、清川淡如此”之境。书画一道，自五代以降，画院兴功，虽为白发学童者，皆为一时圣手，然则古之作者岂止于书画一道，有五车书作夜航，今世作者大率以专擅一技为殊胜，以入展览一体为功成，以获奖为性命，〔我亦奔累其间、利弊得失等同身受〕非惟不妥，所求者但止于法理而已矣。
涛兄常于电话中慨叹：“绝妙艺术定是本我生命灵魂之反照，技巧以外，尤贵乎精神层面之诠释。若夫艺术仅仅降低为纯技术、纯物质、纯功利层面，必不致远”且常谓我：“为艺、为学、为人当须臾不离本心，须向内求，须涵泳、优游于我国古代经典艺文、史哲、宗教中，何也？其韵味、气息、气象乃至其纯性〔民族性〕等皆从兹出”……倏然之间，涛兄已过花甲之岁，每每于片言只语中，能感知其对中国传统文化艺术“承、破、立、变”有一种异于时人之清醒和识见。
去岁冬与涛兄、漆钢兄、法伟兄、昌田兄等诸君相聚嘉陵江畔，品茗谈艺之际，出示其滇、黔等山水写生近作，浑厚松秀中不饰雕琢，脱尽时人制作、设计、廉纤、刻画之习，似得自在三昧，山谷所谓技道两进者，信为不谬。涛兄与我谊出同门，书画以外，知其心性纯然：太师母及樵师先后卧床凡十数载，每日奔累于公务和二老病榻之间，劳瘁异常而不废为学一途，恂恂然十数年如一日,洗衣、买菜、煮饭等事，于二老竭尽孝顺，从未见其色难，于我辈亦笃诚友悌。是也，我所敬者豈止于书画一途。因我学问、才情、慧力所限，浅尝于书法一径，于山水、花鸟等诸迹唯高山仰止而已矣，门外之识，有隔靴作势之喟，嚷嚷尘嚣之嫌，因是同门，故不揣陋识，聊作一时诳语。
丁酉小年于几水之南四如居 林健
杨松涛 江涛 徐之腾3人2021年10月16日合影于重庆化龙桥