郎世宁，1688年生，1766年逝世，意大利米兰人。原名朱塞佩·伽斯底里奥内。年轻时在欧洲学习绘画，曾为教堂绘制圣像。清康熙五十四年(1715)作为天主教耶稣会的修道士来中国传教，到京后约于雍正元年(1723)进入如意馆，成为宫廷画家。他将欧洲的绘画品种和方法传授给中国的宫廷画家，为中西文化艺术的交流作出了积极贡献，颇得皇家青睐。去世后葬于北京阜成门外。存世作品有《聚瑞图》、《嵩献英芝图》、《百骏图》、《弘历及后妃像》、《平定西域战图》等。
其中以清代郎世宁的《百骏图》最为百骏图出名，，中国十大传世名画之一，此图共绘有100匹骏马，姿势各异，或立、或奔、或跪、或卧，可谓曲尽骏马之态。画面的首尾各有牧者数人，控制着整个马群，体现了一种人与自然界其它生物间的和谐关系。在表现手法上，郎世宁充分展现了欧洲明暗画法的特色，马匹的立体感十分强，用笔细腻，注重于动物皮毛质感的表现。百骏图》为中国古代画作名称，运用西方素描的画法来勾勒马的外形，皮毛和筋腱，那些肥硕的马，也是通过其背上颜色深浅呈现的，整体显示了郎世宁坚实的写实功底，体现了他早期绘画的特色和面貌，具有浓厚鲜明的欧洲绘画风格和情调。
此藏品为黄金版《百骏图》，整体是采用黄金宣纸彩印技术而成，工艺精密复杂，黄金宣纸附着于高档丝绢之，以最新科技，将黄金在真空环境中均匀的附着其上，工艺难度大、工序复杂、造价尤其昂贵，同时保持了宣纸的特性，更加适合于书画的复制，具有极强的艺术表现力。黄金宣纸将黄金和宣纸完美的结合一起，开创了贵金属书画艺术品的全新领域，成为艺术收藏领域的新宠。
马在中国有着悠久的历史，对人类的生产和生活都产生了重要的影响，并形成了独具特色的中国马文化。马文化不仅是中国传统文化的核心组成部分，也是中国传统支化的基础和皇冠。更是中国传统文化的支撑框架。此图更是黄金而作，在中国的传统文化中。黄金是富贵、华丽的象征，从古至今，人们对黄金的喜爱与崇拜自古有之，此图描绘了姿态各异的骏马百匹放牧游息的场面，画面的首尾各有牧者数人，控制着整个马群，全卷色彩浓丽，构图复杂，风格独特，体现了一种人与自然界其他生物间的和谐关系。马的核心组成部分，也是中国传统支化的基础和皇冠。更是中国传统文化的支撑框架。
Giuseppe Castiglione, 1688,1766, Milan, Italy. Formerly known as Giuseppe. He studied painting in Europe as a young man and painted icons for churches. Qing Emperor Kangxi fifty-four (1715) came to China as a Catholic Monk Jesus missionary, to Beijing about the first year of Yongzheng (1723) into the Ruyi Guan, a palace painter. He taught European painting varieties and methods to Chinese court painters and made positive contributions to the cultural and artistic exchanges between China and the West, which won the favor of the royal family. He died and was buried outside Fuchengmen, Beijing. His surviving works include "Juritu" , "Song Xian Yingzhi Tu" , "Bai Jun Tu" , "Hongli and his imperial Concubine" , "pacifying the western regions map" and so on. It is best known for Giuseppe Castiglione's 100 steeds in the Qing Dynasty, one of China's ten most famous paintings, which depicts 100 steeds in various positions, standing, running, kneeling or lying. There are several herdsmen at the beginning and end of the picture, controlling the whole herd of horses, reflecting a harmonious relationship between man and other creatures in nature. In the technique of expression, Giuseppe Castiglione fully demonstrated the characteristics of European chiaroscuro painting, the Horse's three-dimensional sense is very strong, delicate pen, focusing on the performance of animal fur texture. 100 Jun Tu, the name of an ancient Chinese painting, uses western sketches to outline the shape, fur and tendons of the horses. The fat horses are also shown in shades of color on their backs. It shows Giuseppe Castiglione's solid realism as a whole, reflecting the characteristics and features of his early paintings, with a strong and distinctive European painting style and mood. The collection is a gold edition of "100 Jun Tu" , the whole is made of gold Xuan paper color printing technology, the process is sophisticated, Gold Xuan paper attached to high-grade silk, with the latest technology, the gold in the vacuum environment evenly attached to it, the process is difficult, complex procedures, especially expensive, while maintaining the characteristics of Xuan paper, more suitable for the reproduction of painting and calligraphy, has a strong artistic expression. Golden Rice paper combines gold and rice paper perfectly, creating a new field of precious metal painting and calligraphy art, and becoming a new favorite in the field of art collection. Horse has a long history in China, which has an important influence on the production and life of human beings, and has formed a unique Chinese horse culture. Horse Culture is not only the core component of Chinese traditional culture, but also the foundation and crown of Chinese traditional branch. It is the support frame of Chinese traditional culture. This picture is made of gold, in the traditional Chinese culture. Gold is a symbol of wealth and magnificence, from ancient times to the present, people's Love and worship of gold has existed since ancient times, this picture depicts the scene of a hundred horses with different postures grazing and resting, there are several herders at the beginning and end of the picture, controlling the whole herd, the full volume color is rich, the composition is complex, the style is unique, reflecting a harmonious relationship between man and other creatures in the natural world. The core component of the horse is also the basis and crown of traditional Chinese branching. It is the support frame of Chinese traditional culture.