鼻烟壶指的是盛鼻烟的容器，小可手握，便于携带。明末清初，鼻烟传入中国，鼻烟盒渐渐东方化，产生了鼻烟壶。
人们嗜用鼻烟的习惯几近绝迹，但鼻烟壶却作为一种精美艺术品流传下来，而且长盛不衰，被誉为“集中各国多种工艺之大成的袖珍艺术品”。
中国鼻烟壶，作为精美的工艺品，采用瓷、铜、象牙、玉石、玛瑙、琥珀等材质，运用青花、五彩、雕瓷、套料、巧作、内画等技法，汲取了域内外多种工艺的优点，被雅好者视为珍贵文玩，在海内外皆享有盛誉。
在世界上，中国素有「烟壶之乡」的称誉，其中鼻烟壶以其精巧卓绝的制作技术，被称为「集多种工艺之大成于一身的袖珍艺术品」。鼻烟壶为盛装鼻烟之容器，鼻烟系一种*草烟**制品，原为西洋之物，明末清初自欧洲传入中国后，加工转化后成为粉末状药材，吸闻之后不但具有明目避疫的功效，吸闻鼻烟在各阶层更是蔚为风尚，且迅速地融入了中国的艺术风格，发展出匠心独运的各式鼻烟壶，在清代美学工艺上大放异彩，成为清代艺术的重要标志之一。
藏品介绍
中文名称：田黄鼻烟壶
英文名称：Tian Huang snuff bottle
类别：杂项
规格：一套（42个单个重130～150克）
品相：美品
上图田黄鼻烟壶，整体形成了包浆，底光温润，有如酥油一般，其壶身阳刻各种纹饰，有吉祥寓意的寿字壶双鱼壶，有生肖兔，龙等，也有佛教的佛字壶，释迦摩尼壶等等，整体雕工精美，刀刻痕迹明显，壶盖为各种宝石，有红珊瑚，青金石，玛瑙，蜜蜡等稀有材质做蛋面镶嵌于壶盖之上，手感光滑，可把玩，可观赏，韵味十足。
石中之王田黄石，产于福建福州市北郊寿山村田坑的田黄石，是寿山石中乾隆宸翰、乐天、惟精惟一的珍品。有着“福”(福建)、“寿”(寿山)、“田”(财富)、“黄”(皇帝专用色)之寓意，故被人们称之为“帝石”。具备细、洁、润、腻、温、凝印石之六德，并成为清朝祭天专用的国石。史载，清时福建巡抚用一整块上等田黄雕刻了“三链章”，乾隆皇帝奉为至宝，清室代代相传；咸丰帝临终时，赐予慈禧一方田黄御玺；末代皇朝解体，溥仪不要所有珍宝，只将那枚“三连章”缝在棉衣里。至于民间相传，田黄石是女祸补天时遗留在人间的宝石，又说是凤凰鸟蛋所变，还传田黄石可驱灾避邪，藏田黄者能益寿延年等。
身为“印石三宝”之一的田黄石，呈现黄、白、红、黑等色，其中以黄色为最常见。具有珍珠光泽、玻璃光泽、油脂光泽，微透明至半透明，少数透明。硬度2.5，密度2.65-2.90克/厘米3。质地致密、细腻、温润、光洁。尤为引人注目的是其肌里隐约可见萝卜纹状细纹，颜色外浓而向内逐渐变淡，表面时而裹有黄色或灰黑色石皮，间有红色格纹。为田黄石所独有的外观特征，素有“无纹不成田”、“无皮不成田”、“无格不成田”之称。诚然，从其石质来说，仍以纯净为贵。
这几件田黄鼻烟壶，底部篆刻，可作为印章使用，篆刻十分规整，刀刻刻痕明显，是一件十分开门的老田黄印章。
田黄石（Field-yellow stone），简称“田黄”，产于福州市寿山乡寿山溪两旁之水稻田底下，呈黄色而得名。是寿山石品种中的珍品。广义的田黄石指“田坑石”，狭义的田黄石指田坑石中发黄色者。物理性质、工艺美术特征方面，田黄石与寿山石相近，已成为独立的印章石品种。
田黄石是寿山石系中的瑰宝，素有“万石中之王”尊号。其色泽温润可爱，肌理细密，自明清以来就被印人视为“印石之王”。数百年来田黄石极受藏家至爱，正如俗语所说：“黄金易得，田黄难求”。
早在一千多年前，我国已有人开始采集，到了明清两代田黄石更是盛名于世。许多达官显贵，文人雅士竞相刻意收集田黄石。相传清初时期皇帝祭天，神案上都少不了一方上品田黄石。因此，田黄石一直盛名不衰，身价倍增，曾有古话“一两田黄一两金”。
曾经田黄被寿山村外原有一座“广应寺”，建于唐光启三年（884）。寺中僧人时常采集田黄石，研磨成粉末给周围百姓治病，更有朱元璋在田黄矿洞睡了一觉，身上的毒疮痊愈的说法，可见田黄不仅仅是名贵宝石，更是稀有的矿物药材，经常把玩可延年益寿，对身体大有益处，这一套田黄鼻烟壶，纹饰各异，造型优美，无磕无残，品相完美，具有极高的收藏价值。
将军罐，是中国陶瓷艺术的珍品。—种罐式，因宝珠顶盖形似将军盔帽而得名。初见于明代嘉靖、万历朝，至清代顺治时基本定型。清康熙朝最流行。罐身为直口，丰肩，敛腹，平面砂底，附宝珠顶高圆盖。
藏品介绍
中文名称：三色釉五龙将军罐
英文名称：Tian Huang snuff bottle
类别：杂项
规格：一对（高38厘米）
品相：美品
将军罐的器型出现于明末，明末的将军罐，器型较为矮、拙。到了清代顺治时期基本定型，造型为直口、短颈、丰肩、鼓腹。腹下部渐收，多为平底无釉，通体浑圆，器型高大。康熙时期，是将军罐广为流行的时期，这时的造型，将浑圆的罐体展肩提腹，拉长颈部，收紧圈足，使得将军罐的造型显得挺拔向上，气魄宏伟。由于将军罐的造型受人喜爱，因此不论是官窑还是民窑都大量地烧造，特别是民窑的制造，从内容到形式都是以老百姓喜闻乐见的题材为主，有戏曲人物、神话故事，这些题材纹饰比较繁琐，在小器物上很难展示，而高大的将军罐，则可以将这些题材全面地展示出来，深受广大百姓的认同。
五龙是古中国神话传承的五行思想体现的五个龙，即青龙、赤龙、黄龙、白龙、黑龙。
也指远古时代神话传说的五大部落首领。分别为皇伯、皇仲、皇叔、皇季、皇少。
也指道教五行神。也指誉称同时以才名著闻的五人。
其将军罐，盖子形似将军帽，盖子绿地青花以留白方式表现出轮廓，以青花为线条，绿地为背景，这种表现手法极为精致，盖子画花枝纹，极其精美。盖子与瓶身釉色一致，画风一致，为原配盖子，十分难得，属于精品瓷器。
可以看到龙纹双目凸出，颈部细长，龙爪为风车爪，有着明代龙纹的遗风，可以看到这种留白青花画法，使龙纹具有透视感，看起来具有立体感，极为生动形象，这种画法对于绘画者画工要求很高，也是受西方元素影响，极具时代特征。
将军罐盖子，画四君子之一竹子，以及花枝纹，竹子意为宁折不弯的君子气节，釉面光泽为漫反射光泽，毫无贼光，罐口缘无釉露胎，氧化发黄，是由于瓷土中含有微量铁元素，长时间氧化所致，是时间留下的烙印，为开门精品瓷器。
底部中心落款青花双圈六字款大清康熙年制，书写精美，字迹清晰，十分规整符合官窑特征，圈足整体氧化发黄，与口缘氧化一致，落款青花吃进胎骨，笔锋明显，为开门到代的精品瓷器。
龙纹是清代使用的最多的纹饰，五爪显现为皇家所用，这对将军罐器型十分规整，画工精湛，龙身扭转盘旋表现的立体生动，四只龙爪伸向四方，意为掌控天下，目视前方，十分威严，古代龙就象征着皇上，皇室也称为真龙天子，具有典型的时代特征，这种留白表现手法不再是那种泼墨山水的表现，而讲究透视感，也是由于当时受西方画的影响，从字画到瓷器都有明显的改变，这对将军罐各方面看为到代的官窑瓷器，而且无磕，无残，品相完美，具有极高的收藏价值。
英文翻译：Snuff bottles are the containers in which snuff can be held, small and portable. At the end of Ming dynasty and the beginning of Qing Dynasty, snuff was introduced into China.
The habit of snuff has almost disappeared, but the snuff bottle has survived as a fine work of art, and it has been praised as a "pocket work of art that is the best of many different countries."
As an exquisite handicraft, Chinese snuff bottle is made of porcelain, copper, ivory, jade, agate, amber and other materials, and adopts the techniques of blue and white, colorful, carved porcelain, set materials, skillful work, and internal painting, etc. It has drawn the advantages of various domestic and foreign crafts, and is regarded as a precious literary play by those who like it, and enjoys a high reputation at home and abroad.
In the world, China is known as "the hometown of snuff bottle", among which snuff bottle is known as "the pocket art of integrating various techniques into one" due to its exquisite and excellent manufacturing technology. Snuff bottles for snuff of containers, snuff is a kind of tobacco products, belonged to the western thing in the world, after the Ming dynasty was introduced into China from Europe, processed into powder into medicinal materials, absorb smell not only has the effect of bright eye off, after the suction snuff smell in all classes is become a fashion, and quickly into the China's art style, developing a great variety of snuff bottles, in the qing dynasty has been brilliant in the aesthetic process, become one of the important symbol of the art in the qing dynasty.
The collection is introduced
Chinese name: Tian Huang snuff bottle
Tian Huang Snuff Bottle
Category: Miscellaneous
Specification: one set (42 pieces weighing 130 ~ 150 grams)
Appearance: Beautiful
Above tian snuff bottle, the overall form the patina, warm light, like a ghee man, the pot body, Yang carved a variety of decorative design have the plans of auspicious implies word pot Pisces pot, zodiac rabbit, dragon, etc., also has the Buddha's words of Buddhism, Buddha had pot and so on, the overall carver is exquisite, the obvious effect of the cutter, the lid for all kinds of gem, red coral, lapis lazuli, carnelian, beeswax and other rare materials do egg noodle set on the lid, feel is smooth, can play, can see, lasting appeal is dye-in-the-wood.
The stone of the king of huangshi, produced in the northern suburbs of Fuzhou, Fujian Shoushan Village of Tiankeng Tianhuang, Shoushan stone qianlong Chenhan, Lotte, but only fine treasures. A "fu" (fujian), and "longevity" (shou), "tian" (wealth), "yellow" (the implication of the emperor special color), so called "emperor stone" by people. It has the six virtues of fine, clean, moist, greasy, warm and solidified stone, and became the national stone dedicated to the worship of heaven in qing Dynasty. In the history, the governor of Fujian province carved the "Three-chain seal" with a whole piece of tian Huang in qing Dynasty, which was regarded as a treasure by emperor Qianlong and passed down from generation to generation. On his deathbed, Emperor Xianfeng gave Cixi a yellow imperial seal. The last imperial dynasty, Pu Yi do not want all the treasures, only the "three even chapter" sewing in the cotton clothes. As for the folk legend, tian Huang shi is a female disaster to fill the day when left in the world gem, also said to be the phoenix birds eggs change, also transmitted tian Huang can drive away evil, Tibetan tian Huang can prolong life and so on.
As one of the "three treasures of stone printing", Tian Huang shi appears yellow, white, red, black and other colors, among which yellow is the most common. With pearl luster, glass luster, oil luster, micro - transparent to translucent, a few transparent. Hardness 2.5, density 2.65-2.90 g/cm 3. The texture is dense, delicate, warm and smooth. Especially striking is the radish veins faintly visible in its muscle, the color of thick outside and gradually faded inward, sometimes covered with yellow or gray black stone skin, between red lattice. For the unique appearance characteristics of Tian Huangshi, known as "no grain into the field", "no skin into the field", "no case into the field" said. Indeed, its stone is still precious because it is pure.
These pieces of Tian Huang snuff bottles, with a bottom seal cut, can be used as a seal. The seal cut is very regular and the marks of the knife are obvious. It is a Lao Tian Huang seal which is very open.
Field-yellow Stone (Field-yellow Stone), referred to as "Tian Huang", is produced in The Shoushan Town of Fuzhou Shoushan Creek on both sides of the paddy fields, yellow and so named. Shoushan stone varieties in the treasure. The broad sense of tian Huang shi refers to "tian Keng Shi", the narrow sense of tian Huang Shi refers to the yellow in tian Keng Shi. In terms of physical properties and arts and crafts characteristics, Tianhuang stone is close to Shoushan stone and has become an independent seal stone variety.
Tian Huang Shi is the treasure of shoushan stone system, known as the "king of all stones" title. Its color is warm and lovely, fine texture, since the Ming and Qing Dynasties has been regarded as "yinshi king." For hundreds of years, Tian Huangshi is very beloved by collectors, as the saying goes: "gold is easy to get, tian Huang is hard to find."
As early as more than one thousand years ago, our country has begun to collect, to the Ming and Qing dynasties tian Huang Shi is famous in the world. Many dignitaries, scholars and scholars compete to collect Tian-Shi deliberately. Legend has it that emperor worship in the early Qing Dynasty, god on the case of not one of the top tianhuangshi. Therefore, Tian Huangshi has been famous, the value of multiplication, there was an old saying "one or two fields of gold".
There was once a guangying Temple outside Shoushan Village, built in the third year of The Reign of Emperor Guangqi (884) of the Tang Dynasty. Temple monks often gather in field-yellow stone, grinding into powder treating the people around, more in tian zhu yuanzhang mine a night's sleep, the toxic sores healed, visible tian is not only a precious gem, is a rare mineral medicine, often play can prolong life, highly beneficial to the body, a set of tian snuff bottles, different decorative pattern, elegant, without cracking, quality perfect, has a very high collection value.
The general jar is a treasure of Chinese ceramic art. A kind of pot, because the shape of the pearl cap like a general helmet and named. First seen in the Ming Dynasty jiajing, Wanli Dynasty, to the Qing Dynasty shunzhi basic stereotypes. The Qing Kangxi Dynasty was the most popular. The tank has a straight mouth, full shoulders, a convergent belly, a flat sandy bottom, and a high round cover with a baozhu top.
The collection is introduced
Chinese name: three-color glazed Five-Dragon General jar
Tian Huang Snuff Bottle
Category: Miscellaneous
Specification: One pair (height: 38 cm)
Appearance: Beautiful
The shape of general pot appeared in the late Ming Dynasty. The shape of general pot in the late Ming Dynasty was relatively low and clumsy. By the Shunzhi Period of the Qing Dynasty, the shape was basically fixed, with straight mouth, short neck, full shoulders and bulging belly. Ventral lower part closes gradually, it is flat bottom without glaze more, whole body is round, implement model tall. During the Kangxi Period, the general tank was widely popular. At this time, the shape of the round tank extended the shoulders and raised the belly, elongated the neck and tightened the circular feet, making the shape of the general tank look straight and lofty. Because of the general pot of modelling is popular, so they are heavily fire kiln kiln or people, especially people kiln manufacture, from content to form are the subjects of common people happy is given priority to, opera figures, fairy tales, the theme of grain is trival, it is difficult to show in small vessels, and general tank tall, these topics can be fully displayed, by the broad masses of the people's attention.
The five Dragons are the five elements embodied in the ancient Chinese mythology, namely, the green Dragon, the Red Dragon, the Yellow Dragon, the white dragon and the black dragon.
Also refers to the chief of the five great tribes of ancient mythology. They were Emperor Bo, Emperor Zhong, Emperor Shu, Emperor Ji, emperor Shao.
It also refers to the Five elements of Taoism. Also refers to the reputation of the famous at the same time to hear the five people.
The general pot has a cover shaped like a military cap. The blue and white flowers on the cover represent the outline in blank space. With the blue and white as the line and the green space as the background, the technique of expression is extremely delicate. The lid and bottle glaze color consistent, consistent painting style, for the original lid, very rare, belongs to the fine porcelain.
Can see the dragon eyes bulging, slender neck, African, the windmill has a legacy of Ming dynasty dragon grain, you can see the white porcelain painting, make the dragon has a sense of perspective, seems to have stereo feeling, is very vivid, high demand for this kind of painting for the painting painters, is also affected by the western elements, extremely has the feature of era.
General tank lid, one of the four gentleman bamboo, and grain, bamboo is adamant the gentleman's moral integrity, glaze gloss for diffuse luster, no light, jar flange unglazed dew tire, oxide yellow, is due to the China clay containing trace elements, iron oxidation for a long time, is time to leave, opened the door for fine porcelain.
At the bottom of the center of the signing blue and white double circle six characters of the Qing Dynasty Kangxi system, the writing is exquisite, clear, very neat and consistent with the characteristics of the official kiln, the whole ring foot oxidation yellow, and the mouth edge oxidation consistent, the signing blue and white eat into the bone, the pen edge is obvious, to open the door to the generation of fine porcelain.
Dragon pattern is used most in the qing dynasty grain, appeared five claws used for the royal, the shape of the general tank is very neat, drawing skill, three-dimensional vivid dragons reverse hovering performance, four claw to the quartet, to control the world, visual ahead, dignified, ancient dragon is a symbol of the emperor, the royal family, also known as the real dragons, the typical, this space is no longer the splash-ink landscape the technique of expression of performance, and pay attention to the illusion, because at that time under the influence of western painting, calligraphy and painting to China have obvious change, look for aspects of the general tank to generation of royal porcelain, and no depletion, no residue, quality perfect, Has the extremely high collection value.