粉彩瓷是珐琅彩之外，清宫廷又一创烧的彩瓷。在烧好的胎釉上施含砷物的粉底，涂上颜料后用笔洗开，由于砷的乳蚀作用颜色产生粉化效果。粉彩瓷在众多的清宫廷粉彩瓷中，慈禧粉彩简单率直，浓笔艳抹，富贵豪华而别具一格。红鸟牡丹富贵罐是其风格的经典之作。此后，有君王之才的袁世凯于1915年底称帝，年号“洪宪”。喻其*法大**制，倡导国民新生活，公正透明等。按惯例，新皇帝即位要烧新瓷贡贺。袁世凯粉彩玉壶春瓶，采用瓷石作胎，模具成型，材质单一，稀薄透光。袁世凯瓷已完全失去了古陶瓷胎体的内部活力，完全依赖颜料和技法，犹如在尸体上化妆，没有了整体的生命的活性。
粉彩瓷装饰画法上的洗染，吸取了各姐妹艺术中的营养，采取了点染与套色的手法，使所要描绘的对象，无论人物，山水，花卉，鸟虫都显得质感强，明暗清晰，层次分明。采用的画法既有严整工细刻画微妙的工笔画，又有渗入淋漓挥洒，简洁洗练的写意画，还有夸张变形的装饰画风。甚至把版画，水彩画，油画以及水彩画等姐妹艺术都加以融汇运用，精微处，丝毫不爽；豪放处，生动活泼。粉彩的绘制，一般要经过打图，升图，做图，拍图，画线，彩料，填色，洗染等工序。其中从打图到拍图，是一个用墨线起稿，进行创作构思，如绘瓷决定装饰内容与形象构图的阶段。正式绘制时的定稿叫“升图”，把描过浓墨的图样从瓷器上拍印下来叫“做图”。接着把印有墨线的图纸转拍到要正式绘制的瓷胎上去即“拍图”，这样就可进行绘瓷。粉彩的描绘，着色技法是比较复杂细致的，一般如画，彩，填，洗，扒，吹，点等技法。其所用工具有画笔，填笔，洗笔，彩笔，笃笔，赤金笔，金水笔，玛瑙笔，扒笔等许多特制笔。
藏品介绍
中文名称：绿地粉彩四开窗赏瓶
英文名称：Green powder enamel vase with four Windows
类别：瓷器
规格：一件
品相：美品
粉彩瓷和浅绛彩瓷都是釉上彩瓷，不同的是：粉彩填色之前需用玻璃白打底，也有一种说法是加入铅粉，让色彩看上去很粉嫩的。浅绛彩不用，它是直接将淡矾红、水绿等彩色直接画上瓷胎，所以粉彩会有渲染而浅绛一般没有。粉彩一般摸上去突出感强，尤其是雍正乾隆的粉彩，用料多，显得又粉又厚。浅绛的突出感极弱。清末民初时期的浅绛彩多加入了文人画的风格，而粉彩则是沿用青花的绘画风格。从磨损程度而言，浅绛彩更易受磨损，往往脱彩严重。人物或者花鸟都到了看不清的地步。粉彩由于彩料较厚，相对较易保存完好。
瓷器有开窗价值就翻翻，因为开窗处要做精画处理，要有从窗内看风景的韵味，窗外花鸟成对，牡丹富贵，此瓷器瓶口双圈，绘有如意纹，蝙蝠，寿桃，蝙蝠谐音福，寓意吉祥如意，多福长寿，这个器型端正，瓶身满花纹，颜色丰富多彩，制作工艺极其复杂。
整个颜色绿为底，黄红为点缀，其中蝙蝠以大红作画，乃聚气所在，一眼有福，牡丹为紫红富贵为第二醒目题材，有福第一富贵第二，如意第三层次分明，画工精美，也只有官窑器才会画的如此精美规整。
底部为圈足，大清康熙年制六字青花款，青花出现晕散吃进胎骨，出现微小的毛刺，也就是晕散的现象，胎底中心落款，十分规整，底部圈足氧化发黄，这是由于瓷土中含铁氧化所致。是一件开门见老的乾隆年瓷器。自古盛世收藏乱世黄金，清代瓷器不断刷新着交易记录，画工好品相完美的瓷器更是难得，这件瓷器无任何磕缺，穿线，窑裂，棕眼等问题，是不可多得的馆藏级瓷器，建议收藏传世。
盘口瓶，瓶式之一，因瓶口为盘状而得名。一般为细长颈、溜肩、圆腹、圈足。北朝至隋的则短颈，平底。北朝的瓶，腹瘦长，最大腹径在近底处。隋代的瓶则颈部细长，腹部较丰满，略呈椭圆形。
藏品介绍
中文名称：粉彩寿桃盘口瓶
英文名称：Powder enamel vase with peach mouth design
类别：瓷器
规格：一对
品相：美品
瓶身画的石榴极其精美，枝繁叶茂，粉红艳丽，画工惟妙惟肖，让人有垂涎欲滴之感，中国传统文化视石榴为吉祥物，视它为多子多福的象征。
粉彩始创于康熙，极盛于雍正。康熙晚期在珐琅彩瓷制作的基础上，景德镇窑开始烧制粉彩瓷，但制作较粗，仅在红花的花朵中运用粉彩点染，其他纹饰仍沿用五彩的制作。主要发现有两个品种：一是白地粉彩器；一是绿、黄、紫三彩瓷上加有胭脂红（金红）彩。到了雍正朝，无论在造型、怡釉和彩绘方面，粉彩瓷均得到了空前的发展。
粉彩是雍正彩瓷中最著名的品种之一，彩料比康熙朝的要精细，色彩柔和，皴染层次多。大多数在白地上、少量在色地上绘纹饰。以花蝶图为最多，牡丹、月季、海棠、四季花也极为普遍。人物故事图，在粉彩中也比较多。此外，粉彩瓷中谐音的“蝠”（福）、“鹿”（禄）图案十分多见。当时突出的是所谓“过枝”技法。
雍正早期有康熙五彩风格，粉彩纹饰多绘团花、团蝶、八桃蝙蝠（喻意多福多寿）、过枝花卉、水仙灵芝、仕女、*姑麻**献寿、婴戏等。纹饰明显疏朗、规整。如粉彩过枝桃蝠盘，从盘外壁开始绘桃枝叶及桃，通过盘口过到盘心接绘桃枝叶及蝙蝠，雍正时期一般绘8个桃，乾隆时多绘9个，有“雍八乾九”之说。雍正朝画的蝙蝠翅膀顶端下弯有钩，钩中有一点，嘴上有毛（但不绝对）。仕女幼童人物较小，面目清秀，或有疏简的山石树木等背景，或留较多的空白。这时和康熙朝一样，较多地使用“金红彩”，精细之作还在纹饰上方用墨彩行书题相应的诗词歌赋，并绘红色迎首或压角章，显露出当时社会文人的儒雅之风。一般民窑多在碗、盘、炉、罐、盘口瓶、小瓶上绘粉彩纹饰。
雍正粉彩官窑器多数有“大清雍正年制”两行六字楷书款。民窑精品有私家堂名款，也有图案标记，以器底绘青花笔、锭和如意，谐音“必定如意”等为突出。
这对粉彩石榴瓶，可以看到圈足氧化发黄，这是由于瓷土中含有微量铁元素氧化所致，再看青花出现了晕散，吃进胎骨，没有浮于表面的现象，是一件十分开门的老瓷器，六字款十分规整符合官窑特征，再看石榴树干，采用了皴法，表现的美轮美奂，是瓷器中的精品。
祭红釉是景德镇的陶工在明宣德时期创烧的著名红釉品种，色似初凝的鸡血，深沉安定，莹润均匀，釉中无龟裂纹理，因祭红器作祭祀郊坛之用，故名。
祭红是景德镇的陶工在明宣德时期创烧的著名红釉品种，它是以铜为着色剂，生坯上釉，置于还原焰气氛中，在1250℃-1280℃温度下一次烧成。祭红色泽深沉稳定，不流釉不脱口，釉面也罕有龟裂纹理。解放前夕祭红濒临失传。新中国成立后，景德镇工艺人员经过不断研究试验，改变了祭红原料配方，这不仅降低了成本，还极大地提高了成品率。
藏品介绍
中文名称：宣德祭红釉高足碗
英文名称：Xuande ji red glaze high foot bowl
类别：瓷器
规格：一对
品相：美品
高足碗：碗的一种式样。造型与高足杯相同，略大。元代龙泉窑、景德镇窑盛烧，明清继续烧造，品种有青釉、卵白釉、青花、釉里红等。
高足碗，又称靶碗，有中空足封闭底印和不封底两种。造型为口微撇，近底处丰满，下承高足，造型与高足杯颇为相似，较之略大。这种纤巧的高足碗于元、明、清三代较为流行，品种有青花、斗彩等，以明永乐红釉、宣德釉里红、成化斗彩最为名贵
碗内青花满文，书写十分工整精美，体现了满文字体的美感，碗内在自然光线下呈现漫反射现象，没有贼光，十分开门，宣德祭红釉是巅峰时期，碗口边缘从外侧看有轻微的白边现象，是典型的祭红釉特征。
胎底氧化发黄，是由于胎骨中含有微量铁元素所致，胎底细腻是难得的糯米底，最早称之为“糯米汁胎”是形象描述胎体的质感，如同糯米经水磨后流出的米浆一般细腻、光滑。后被称为糯米胎，此胎极其细腻，是瓷石经过多次提炼极其细腻后才有的极品瓷胎，这种瓷胎轻扣声音清脆悦耳，胎质紧密，较一般瓷器硬度要高，抗热涨冷缩能力强，很多瓷器经历上百年时间就会自然的干裂，我们称为阴裂现象，与窑裂不同，是后期形成的，而糯米胎瓷器就不会出现这种问题，由于瓷土极其细腻，也不会出现棕眼的现象，是美瓷的重要要素。表面有氧化铁的特征，是由于瓷胎内含有微量铁元素，经过长时间氧化所致，是老瓷器的特征，也是时间的证明，这对宣德祭红釉高足碗德字少一横，属于开门到代的精品瓷器极为难得。
英文翻译：Pastel porcelain is enamel color, the qing court is another creation of color porcelain fired. Apply arsenic-containing foundation on the fired tire glaze, paint it and then wash it with a pen. The color of the glaze is powdery due to the emulsion effect of arsenic. Among the numerous qing court pastel porcelain, Cixi pastel is simple, straightforward, rich and luxurious with a unique style. The red bird peony rich pot is a classic of its style. After that, yuan Shikai, with the talent of a king, proclaimed himself emperor at the end of 1915, with the title "Hong Xian". It refers to its great legal system, advocating the new life of the people, justice and transparency. It is customary for the new emperor to burn new porcelain on his throne. Yuan Shikai pastel jade pot spring bottle, using porcelain stone as the embryo, molding, material is single, thin transparent. Yuan Shikai porcelain has completely lost the internal vitality of the ancient ceramic body, completely relying on paint and techniques, just like makeup on a corpse, without the overall vitality of life.
The washing and dyeing of pastel porcelain decorative painting absorbed the nutrition of sister arts and adopted the technique of stippling and color matching, so that the objects to be depicted, no matter the figures, landscapes, flowers, birds and insects, all appear to have strong texture, clear light and shade, and distinct layers. The painting method used is not only the fine meticulous brush painting, but also the simple freehand painting and the exaggerated decorative painting style. Even the print, watercolor, oil painting, watercolor and other sister arts are integrated and applied, the subtle, not the slightest bit. Uninhibited place, lively. The drawing of powdery colour, want to pass to make a chart commonly, rise chart, make a chart, beat a chart, draw a line, colour makings, fill color, wash dye wait for working procedure. From drawing to taking pictures, it is a stage in which ink lines are used to start drawing and create ideas. For example, painting porcelain determines decoration content and image composition. The final draft of the formal drawing is called "Drawing up", and the printing of a pattern with heavy ink from the porcelain is called "drawing up". Then the ink line printed drawings transferred to the formal drawing of the porcelain tire that "picture", so that can be painted porcelain. Powdery painting, coloring techniques are more complex and meticulous, generally picturesque, color, fill, wash, scrape, blow, point techniques. It has many special pens such as brush, fill pen, wash pen, color pen, Duji pen, pure gold pen, goldwater pen, agate pen, pickling pen and so on.
The collection is introduced
Chinese name: Greenfield powder enamel vase with four Windows
Green powder Vase with Four Windows
Category: Porcelain
Specification: one piece
Appearance: Beautiful
Both pastel and light purple porcelain are glazed but the difference is that a white base of glass is used before pastel filling. There is also a saying that lead powder is added to make the colour look very pink. Light crimson color need not, it is directly will alum red, water green and other colors directly painted on the porcelain tire, so the powder color will have a render and light crimson generally not. Powder enamel is generally felt with a strong sense of emphasis, especially the powder enamel of Emperor Yongzheng And Emperor Qianlong. The prominence of light crimson is extremely weak. In the late Qing Dynasty and early Republic of China, light purple color mostly joined the style of literati painting, while pastel color followed the style of blue and white painting. In terms of wear, light reds are more prone to wear and are more likely to lose color. The figures or birds are indistinct. Pastel because the color material is thicker, relatively easy to preserve well.
Porcelain has a window value will flip, because window place to do fine processing, want to have a look from the window scenery lasting appeal, out of the window flowers and birds in pairs, peony riches and honour, the porcelain bottle double circle, depicting the best lines, bats, peach, bat homophonic blessing, meaning jixiangruyi, longevity and luck, the shape, the bottle filled with decorative pattern, color colorful, production process is extremely complex.
The whole color green as the bottom, yellow and red as the ornament, among which the bat painted in bright red, is where the gas is gathered, a blessing, peony for purple and red wealth as the second striking theme, the first wealth of the second, the third hierarchy as you wish, the painting is exquisite, only the official kiln can paint so exquisite and neat.
The bottom is the circle foot, the qing Dynasty Kangxi year six character blue and white money, blue and white appear halo loose eat into the fetus, there are tiny burr, that is, halo loose phenomenon, the center of the bottom of the fetus, very neat, bottom circle foot oxidation yellow, this is due to the iron oxide in the clay. It is a piece of Qianlong porcelain. Since ancient times, the collection of gold has been in trouble, and the qing Dynasty porcelain has been constantly refreshing the trading record. It is rare to find a porcelain with perfect painting appearance. This porcelain has no problems such as breakage, thread, kiln crack, brown eye and so on.
One of the cylinder types, named for its disc shape. Generally for slender neck, slip shoulder, round belly, circle foot. North to Sui is short neck, flat bottom. The northerly bottle has a slender abdomen and a maximum abdominal diameter near the bottom. In The Sui Dynasty, the neck was long and thin, and the abdomen was full and oval.
The collection is introduced
Chinese name: powder enamel vase with peach mouth design
Subparagraph 1. Powder Vase with Peach Mouth Design
Category: Porcelain
Specification: One pair
Appearance: Beautiful
The pomegranate in the bottle is extremely exquisite, with luxuriant foliage, gorgeous pink color and vivid painting, making people salivate. Traditional Chinese culture regards pomegranate as the mascot, and regards it as a symbol of many children and happiness.
Powder enamel powder enamel was first created in Kangxi and flourished in Yongzheng. In the late Kangxi period, on the basis of enamel colored porcelain production, Jingdezhen kiln began to fire powder colored porcelain, but the production was relatively rough. Powder color was only used in the flowers of safflower, while other patterns were still used in the production of colorful porcelain. The main discovery has two varieties: one is the white ground pastel implement; First, the green, yellow and purple tri-colored porcelain is decorated with carmine red (golden red) color. To the Yongzheng Dynasty, whether in the shape, glaze and color painting, powder enamel has been unprecedented development.
Pastel is one of the most famous varieties of Yongzheng color porcelain. The color material is more delicate than that of Kangxi Dynasty, with softer colors and more textured layers. Most of them are painted on the white ground and a few on the colored ground. Flower butterfly chart is the most, peony, Chinese rose, begonia, four seasons flowers are also very common. The figure story diagram, in the powder enamel also more. In addition, the homophonic patterns of "bat" (fu) and "deer" (lu) in powder enamel are very common. At that time, the so-called "overshoot" technique was highlighted.
In yongzheng's early period, there was kangxi's colorful style, with many paisle-colored decorative patterns, such as painted group flowers, group butterflies, eight peach bats (figurative meaning of longevity and happiness), overshoot flowers, narcissus ganoderma lucidum, ladies, ma Gu and baby opera. The ornamentation is clear and neat. For example, the pink-colored peach bat plate starts from the outer wall and draws peach branches and leaves, and then passes through the mouth to the heart of the plate to draw peach branches and leaves and bats. In yongzheng Period, 8 peaches were generally painted, while in Qianlong period, 9 peaches were painted more, which was said as "Yongba Dry nine". Yongzheng's bat has a hook bent down the top of its wing, with a point in the hook and hair on its mouth (but not absolutely). The figures are small, handsome, or have a sparse background of rocks and trees, or leave more blank. At this time, as in the Kangxi Dynasty, "jin Hongcai" was frequently used, and the fine works were also inscribed with poems and fu in ink on the top of the ornamentations, and painted with red to greet the first or pressed the corner chapter, revealing the Confucian and elegant style of the social literati at that time. General kiln in the bowl, plate, furnace, pot, bottle, small bottle painted powder enamel.
Yongzheng powder enamel kiln most of the "Qing Yongzheng system" two six - character regular script. Civilian kiln high-quality goods has money of name of private hall, also have design mark, with pen of bottom draw blue and white, ingot and ruyi, homophonic "must ruyi" wait for outstanding.
The pastel pomegranate bottle, we could see yellow ring foot oxidation, which is caused by China clay containing traces of iron oxide, see blue appeared again dizzy, eat into fetal bone, not superficial phenomenon, is a very open the door of the old China, six very neat in guanyao feature, see pomegranate tree, the experiment, the performance of beauty, is the high-quality goods in China.
The red glaze is a famous red glaze created and burned by the potters in Jingdezhen during the Xuande Period of the Ming Dynasty. Its color is like the blood of chicken, deep and stable, smooth and shiny. There is no crack in the glaze.
Sacrifying red is a famous red glaze variety created and burned by potters in Jingdezhen during the Xuande Period of the Ming Dynasty. It is made of copper as colorant, glazed with fresh green, placed in a reducing flame atmosphere, and fired next time at 1250℃-1280℃. Sacrifice red color deep and stable, not flow glaze blurt, glaze rarely crack texture. Red sacrifice on the eve of liberation is on the verge of extinction. After the founding of new China, the technicians of Jingdezhen changed the formula of raw materials, which not only reduced the cost, but also greatly improved the yield.
The collection is introduced
Chinese name: Xuande red glaze high foot bowl
Xuande Ji Red Glaze High Foot Bowl
Category: Porcelain
Specification: One pair
Appearance: Beautiful
Tall foot bowl: A style of bowl. The shape is the same as the tall foot cup, slightly larger. Yuan Dynasty Longquan kiln, Jingdezhen kiln sheng firing, Ming and Qing dynasties continued to burn, the variety of green glaze, egg white glaze, blue and white, glaze red.
High foot bowl, also known as target bowl, hollow foot closed bottom seal and not closed bottom two kinds. The shape is slightly skimmed mouth, near the bottom plump, the lower bearing tall foot, the shape and tall foot cup is quite similar, compared with slightly larger. This slender high foot bowl in the Yuan, Ming, Qing three generations more popular, the variety of blue and white, doucai, etc., to the Ming Yongle red glaze, Xuande glaze red, Chenghua Doucai the most precious
There is a diffuse reflection under the natural light of the bowl, without the light of the pickpocket, it is very open. The red glaze of Xuande sacrificial ceremony is the peak period, and the edge of the bowl has a slight white edge from the outside, which is a typical feature of the red glaze of sacrificial ceremony.
The oxidized yellowness of the fetal bottom is caused by the trace iron content in the fetal bone. The delicate and delicate fetal bottom is a rare glutinous rice bottom. The earliest known as "glutinous rice juice fetus" describes the texture of the fetal body, which is as delicate and smooth as the rice pulp that flows out after being ground by water. Called glutinous rice, after the child is very exquisite, is China stone some acura after many refined extremely delicate porcelain body, the porcelain body light sweet crisp, TaiZhi closely, more like porcelain higher hardness, heat from the cold resistance is strong, a lot of China experienced hundreds of years to naturally weather-shack, we called Yin crack phenomenon, unlike kiln crack, late is formed, and glutinous rice porcelain will not appear this kind of problem, because China clay is extremely delicate, also won't appear the phenomenon of brown eyes, is one of the important elements of the porcelain. The surface has the characteristic of iron oxide, is because the porcelain embryo contains the trace iron element, after a long time oxidation, is the characteristic of the old porcelain, is also the proof of time, this pair of Xuande sacrifice red glaze high foot bowl virtuous character less a horizontal, belongs to open door to the generation of fine porcelain is very rare.