高古玉多为帝王皇家达官贵人用玉，从用料、制作工艺、文化气息上有着厚重深奥的内涵。除了欣赏古人的琢玉技艺、品味高古玉中神韵飞扬的历史文化内涵以外，把玩一块高古玉，就像品读着年代久远的历史的传奇，手中古玉演绎的人间故事隐约可观，古意融融，人玉灵通，把玩者的心境是不可以用语言表述的。价值不菲的高古玉，琢制技艺十分精湛，无论是浅浮雕、透雕，还是阴线刻画，均拙朴细精，实其中的“汉八刀”和双沟碾法(又称“游丝毛雕”)如今更是难以模仿。
高古玉龙凤佩
这件战国时期龙凤玉佩。玉呈土白色，色泽淡雅，平面双雕。图案以龙为主体，龙在上，凤在下，龙凤连体呈"~"形，龙为腾跃状，卷唇，角竖起，龙头上有线刻的眼、唇、须等。
“鸡骨白"也可称为钙化，因为玉器长期埋在土中受碱性物质的浸蚀而导致的质变，产生的黑白色。
此龙凤佩，有着明显的沁色，颜色发黄，属于长时间矿物质侵染，龙身纹饰精美，刻花痕迹精美，龙凤纹栩栩如生，极其耐赏！
这是一件典型的战国龙凤佩，以前加工都是用的砣轮用石材制成，做成不同的砣头配合解玉砂进行琢玉。商代有了铜，铜制砣轮强度不大，自身容易磨损，做出的沟线浅而宽，断面多呈半圆形。西周末、春秋初有了铁，铁砣坚硬，能够做得薄而锐，提高了加工精度。可以刻出细细的线条，深深的沟。铁砣一直使用到民国初期。民国后期到20世纪70年代，有些地方仍有用铁砣解玉砂琢玉的作坊，这种加工玉器的方法俗称为老工，俗话说：慢工出细活，古代手工打磨出来的玉器带有包浆，呈现玻璃光泽，可以看到龙首有明显的光泽，在看龙身拐弯硬直这是由于砣轮拐弯处不好处理造成的特有现象，是鉴定机器工与手工最直接的方法，由于年代已久，全是遍布了朱砂沁，这是由于铁元素侵染所致，加上这鸡骨白沁色，为真品无疑，历经这枚多年能有如此好的品相，没有磕，没有残是一件不可多得的馆藏级藏品。
耀州窑是中国传统制瓷工艺中的珍品，宋代六大窑系。位于今陕西省铜川市的黄堡镇，唐宋时属耀州治，在唐代就是中国陶瓷烧制的著名产地，宋代更进一步达到鼎盛，成为我国“宋代六大窑系”中的一个窑系。
耀州窑是北方青瓷的代表。唐*开代**始烧制黑釉、白釉、青釉、茶叶末釉和白釉绿彩、褐彩、黑彩以及三彩陶器等。宋、金以青瓷为主。北宋是耀州的鼎盛时期，据记载且为朝廷烧造“贡瓷”。金代延续北宋时期继续发展，元*开代**始转型，走向末落，经明代、清代，终于民国。
宝塔旋纹魂瓶
旋纹是彩陶纹饰。又称“涡纹”、“旋涡纹”。呈螺旋状。在马家窑文化马家窑类型彩陶中即已出现，成为这一时期的代表性纹饰，也是半山时期的主要纹饰之一，此件宝塔式旋纹魂瓶，盖子与器身的旋纹相对应，像是田螺一般，盖顶上有着一雄狮回头，寓意“好事（狮）回头”。
魂瓶为冥器(明器)，又称"谷仓罐"、"堆塑罐"，也称魂魄瓶，源于西汉，兴于三国，盛于宋代，衰于民国，是一种流行于中国南方地区的随葬器物。
它由汉代（公元前206年～公元220年）的五联罐演变而来，是中国长江中下游地区三国两晋（公元220～420年）时期墓葬*特中**有的随葬品,。这件1939年出土于中国东部浙江省绍兴县三国时期墓葬的青釉魂瓶，便是其中的代表之作。
底部修胎痕迹明显，年代感十足，宋代装饰技法主要是刻花、印花、划花及模印刻划相间，以刻花、印花为主。北宋中期刻花发展成熟，刀法犀利，线条刚劲有力，刀痕有斜度，是宋代刻花技法中最优秀者。此耀州窑魂瓶，存世量稀少，品相完美，无磕，无残，具有极高的收藏价值。
英文翻译：Gaogu jade is mostly used by emperors and royal dignitaries with jade, which has profound connotation from materials, production technology and cultural atmosphere. In addition to appreciate the ancient jade carving skills, taste the high ancient jade in the charm of the historical and cultural connotation of flying outside, playing a piece of high ancient jade, like reading the legend of the long history, the ancient jade interpretation of the human story in the hands of vague considerable, ancient harmony, people jade clever, the mood of the player can not be expressed in language. High value of ancient jade, carving skills are very exquisite, whether it is bas-relief, transparent carving, or Yin line carving, are simple and fine, real one of the "Han eight knives" and double ditch grinding method (also known as "swim silk and wool carving") is now more difficult to imitate.
Ancient jade dragon and phoenix
This jade pendant of dragon and phoenix from the Warring States Period. Jade was soil white, quietly elegant color, plane double carving. The dragon is the main part of the pattern, with the dragon on top and the phoenix on the bottom. The dragon is in the shape of "~", and the dragon is in the shape of prant. The lips are rolled, the horns are erect, and the eyes, lips and whiskers are carved on the dragon head.
"Chicken bone white" can also be called calcification, because the jade buried in the soil for a long time by alkaline material erosion caused by the qualitative change, black and white.
The dragon and phoenix pei, with obvious qin color, yellow color, belong to a long time of mineral infection, dragon body decoration is exquisite, engraved traces are exquisite, dragon and phoenix lines lifelike, extremely resistant to appreciation!
This is a typical warring States dragon and phoenix pei, the previous processing is made of stone with the mound wheel, made of different mound with jade sand jade carving. Shang Dynasty with copper, copper weight wheel strength is not large, its own easy to wear, to make the ditch line is shallow and wide, the section is more semicircular. West weekend, early spring and Autumn with iron, iron mound hard, can do thin and sharp, improve the processing accuracy. Can carve thin lines, deep trenches. Tietuo was used until the early Period of the Republic of China. From the late Period of the Republic of China to the 1970s, there were still workshops in some places that used tietuo jade jade sand to cut jade. This method of processing jade is commonly known as Lao Gong, as the saying goes: Fire makes sweet malt, the ancient manual grinding out of jade with patina, presents the vitreous luster, outside can see there is a clear gloss, looking at his turn hard straight this is caused by bad bucket wheel turning processing phenomenon, is the most direct method of identification of machine work and manual, already a long time, because the s all throughout the cinnabar ooze, this is because the iron caused by infection, Plus the white color of the chicken bone, it is undoubtedly a genuine product. After many years of this piece, it can have such a good appearance, no knock, no residue is a rare collection.
Yaozhou kiln is one of the treasures of Chinese traditional porcelain making technology. Huangbao Town, located in tongchuan City, Shaanxi Province, belonged to Yaozhouzhi in tang and Song Dynasties. In Tang Dynasty, it was the famous producing area of Chinese ceramic firing. In Song Dynasty, it further reached its peak and became one of the "six kiln systems in Song Dynasty".
Yaozhou kiln is the representative of celadon in the north. Tang dynasty began to make black glaze, white glaze, green glaze, tea final glaze and white glaze green, brown, black and tri-color pottery. Song and Jin mainly celadon. The northern Song Dynasty was the heyday of Yaozhou, and it is recorded that "tribute porcelain" was made for the court. The Jin dynasty continued the development of the Northern Song Dynasty, and the Yuan Dynasty began to transition to the end of the fall, through the Ming Dynasty, qing Dynasty, and finally the Republic of China.
Pagoda spiral soul bottle
Swirls are painted pottery designs. Also known as "vortex pattern", "vortex pattern". It's a spiral. It has appeared in majiayao culture Majiayao type colored pottery, which has become the representative decoration of this period, and is also one of the main decoration of the Mid-Mountain period. This pagoda type soul bottle with spiral grain covers corresponds to the spiral grain of the body, like a field snail, with a lion turning back on the top, which means "good thing (lion) turning back".
Soul bottle for the tomb (Ming), also known as "barn pot", "pile plastic pot", also known as the soul bottle, originated in the Western Han Dynasty, xing in The Three Kingdoms, sheng in the Song Dynasty, decline in the Republic of China, is a popular in southern China funerary objects.
It evolved from wulian POTS of the Han Dynasty (206 BC-AD 220) and was a special burial object in tombs of The Three Kingdoms and Two Jin Dynasties (AD 220-420) in the middle and lower reaches of the Yangtze River in China. The blue-glazed soul vase unearthed in 1939 from a tomb during The Three Kingdoms Period in Shaoxing County, East China's Zhejiang Province, is one of them.
The traces of tire repair at the bottom are obvious, and the sense of time is full. The decoration techniques of the Song Dynasty are mainly engraved, printing, scratching and stencil engraving and alternate with each other, mainly engraved and printed. In the middle of the Northern Song Dynasty, carvings developed mature, sharp cutting techniques, strong lines, oblique knife marks, is the best in the Song Dynasty carvings techniques. The yaozhou kiln soul bottle, scarce, perfect appearance, no knock, no residue, has a high collection value.